Literature, New Media, and Audiovisual Cultures
Number 144 & 145 of Yale French Studies
Sommaire
Doyle D. Calhoun Editor’s Preface: Senegalese Transmediations
I. Contemporary Senegalese Literature: Toward a Transmedia Aesthetics
- Serigne Seye Felwine Sarr’s Traces: Between Transmediation and Translation, or the Modes of Transfer of an Unclassifiable Text
- Alioune Diaw Rethinking Genre Boundaries in Contemporary Senegalese Literature
- Tobias Warner Viral Aesthetics and the Literary Field in Mohamed Mbougar Sarr
II. Spectral Media: Postcolonial Memory in Text and On-Screen
- Doyle D. Calhoun Follow the Ghosts: On Teaching Mati Diop’s and Jill Jarvis Atlantique(s) Transmedially
- Alioune Fall Racial Violence, Colonial Schizophrenia, and Postcolonial Memory in At Night All Blood Is Black
- Baba Badji Ghosts of Tirailleurs: Poems
III. Mixed-Media Ecosystems: Transmedia Aesthetics in Context
- El Hadji Malick Ndiaye The Role of Cultural Heritage in Senegal’s Transforming Visual Arts Ecosystem
- Astou Fall Gueye Theorizing Jonge Aesthetics across Senegalese Literature and Cinema
- Élise Fitte-Duval ñi yor kër gi
IV. Postcolonial Returns
- Thérèse De Raedt Figuring Frustrated Returns: La Noire de . . ., Ainsi meurent les anges, and L’Afrance
- Elgas Notebooks: Return to Koubanao
V. Transmedia Aesthetics and the Future of Senegalese Literature and Cinema
- Mohamed Mbougar Sarr “Literature is its own proof”: A Conversation and Doyle D. Calhoun with Mohamed Mbougar Sarr
- Moussa Sène Absa and Cheikh Thiam “Film is a planet”: A Conversation with Moussa Sène Absa
- Cheikh Thiam Afterword: Pluriversal African Stories, or What Can Transmediality Do to Literature?
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