Tous les articles par Maëline Le Lay

40th Annual Conference of the African Literature Association (ALA), April 9-13, 2014

 Texts, Modes and Repertoires of Living In and Beyond the Shadows of Apartheid

40th Annual Conference of the African Literature Association (ALA), April 9-13, 2014, University of the Witwatersrand, Johannesburg, South Africa

Confirmed Keynote Speakers

Simon Gikandi (Robert Schirmer Professor of English, Princeton University)

Njabulo Ndebele (Novelist and Research Fellow, Archive and Public Culture Research Initiative, University of Cape Town)

April 2014 marks an auspicious moment in African history and experience: twenty years after the demise of official apartheid. Elsewhere, the seemingly intractable challenges of poverty, social inequality, discrimination and tyranny continue to bedevil the continent. The conference presents a fitting occasion to embark on the kinds of retrospection, introspection and predictions that look both at the past and the future in more fluid and dynamic ways – particularly in relation to the shadows and unfinished business of apartheid and the possibilities for imagining and creating a more just, egalitarian and humane world.

As a political system and concept, apartheid occupied a complicated status in local and global imaginaries. It signified one of the most totalising attempts at racial social engineering, encompassing economic, socio-political and cultural policies as well as interventions into the most fundamental elements of everyday life. Today, apartheid has become shorthand for contesting different kinds of discrimination, segregation and exploitation across the world. The term can be usefully deployed as a catalyst for also speaking to other experiences and case-studies. Such an inflection, when used pointedly and imaginatively, can be productive, whether in localised or global comparative frameworks.

One central aesthetic response to the demands of life and ‘apartheids’ is an abiding reliance on the complexities and politics of the quotidian; the everyday. The everyday longings for basic necessities and also for joy, love, beauty, community and democracy present some of the most politically affective and effective occasions that call into question the dominant ideas and networks of the state and other powerful national and international forces. Artists and citizens – through recourse to texts, modes and repertoires 2 of living – have proffered alternative narratives, senses of self, memories and hopes for the future.

Convener: Bhekizizwe Peterson Mail: School of Literature, Language and Media, Private Bag 3, Wits, South Africa, 2050.
Conference Committee (members are from Departments in the School of Literature, Language and Media): Sarah Chuimbu (Media), Pumla Gqola (African Literature), Isabel Hofmeyr (African Literature), Innocentia Mhlambi (African Languages), Litheko Modisane (African Literature), Dan Ojwang (African Literature), Veronique Tadjo (Modern Languages), Michael Titlestad (English), James Ogude (University of Pretoria).

Programme :


Nouveaux rires africains et afropéens : rencontre littéraire au Musée Dapper

Rencontre littéraire au Musée Dapper : Nouveaux rires africains et afropéens

Samedi 29 mars à 14h30.

Lors de cette rencontre proposée par l’association Humoresques à l’occasion de la parution du numéro 38 (“Nouveaux rires africains et afropéens”) de la revue éponyme, la question de la spécificité de l’humour africain sera abordée à la fois dans la production romanesque la plus récente, mais également dans la production artistique dans son ensemble (cinéma, théâtre, caricatures de presse…).

Le comique sera en effet envisagé comme une composante à part entière d’un mode de vie, par certains aspects né en Afrique et qui se prolonge aujourd’hui d’une certaine manière parfois dans la diaspora, au sein de la création proprement artistique donc, mais aussi au-delà.