Senegalese Transmediations

Literature, New Media, and Audiovisual Cultures

Number 144 & 145 of Yale French Studies

Sommaire

Doyle D. Calhoun Editor’s Preface: Senegalese Transmediations

I. Contemporary Senegalese Literature: Toward a Transmedia Aesthetics
  • Serigne Seye Felwine Sarr’s Traces: Between Transmediation and Translation, or the Modes of Transfer of an Unclassifiable Text
  • Alioune Diaw Rethinking Genre Boundaries in Contemporary Senegalese Literature
  • Tobias Warner Viral Aesthetics and the Literary Field in Mohamed Mbougar Sarr
II. Spectral Media: Postcolonial Memory in Text and On-Screen
  • Doyle D. Calhoun Follow the Ghosts: On Teaching Mati Diop’s and Jill Jarvis Atlantique(s) Transmedially
  • Alioune Fall Racial Violence, Colonial Schizophrenia, and Postcolonial Memory in At Night All Blood Is Black
  • Baba Badji Ghosts of Tirailleurs: Poems
III. Mixed-Media Ecosystems: Transmedia Aesthetics in Context
  • El Hadji Malick Ndiaye The Role of Cultural Heritage in Senegal’s Transforming Visual Arts Ecosystem
  • Astou Fall Gueye Theorizing Jonge Aesthetics across Senegalese Literature and Cinema
  • Élise Fitte-Duval ñi yor kër gi
IV. Postcolonial Returns
  • Thérèse De Raedt Figuring Frustrated Returns: La Noire de . . ., Ainsi meurent les anges, and L’Afrance
  • Elgas Notebooks: Return to Koubanao
V. Transmedia Aesthetics and the Future of Senegalese Literature and Cinema
  • Mohamed Mbougar Sarr “Literature is its own proof”: A Conversation and Doyle D. Calhoun with Mohamed Mbougar Sarr
  • Moussa Sène Absa and Cheikh Thiam “Film is a planet”: A Conversation with Moussa Sène Absa
  • Cheikh Thiam Afterword: Pluriversal African Stories, or What Can Transmediality Do to Literature?

Se procurer le n° sur le site de l’éditeur : https://yalebooks.yale.edu/book/9780300278316/yale-french-studies-number-144145/